Amulets · containers · stoppers
Amulets & Small Forms
Small carved forms connected with keeping, protecting, sealing, or carrying significant matter.
The JAM ART · Collection
Objects held in context.
A selected entry into Indonesian material heritage through objects, textiles, carved forms, sound objects, field memory, and responsible access.
The collection is organised by material family and use. Each section leads to further context where available. Object notes remain separate from the image, so the object is allowed to stay quiet.
Collection paths
Nine quiet points of entry.
Open each section to study objects with available description, material, place, and inventory reference.
Daily use · handled objects
Daily-Use Sculpture
Functional carved objects shaped by use, movement, handling, and daily relation.
Panels · doors · carved surfaces
Carved Panels & Architectural Forms
Large panels and carved wood surfaces approached through form, material, and architectural presence.
Ritual · altar · devotional use
Ritual & Religious Forms
Religious and ritual forms described with care, especially when use and provenance are documented.
Masks · performance · presence
Masks & Performance Forms
Masks considered through form, expression, role, and context where the available record allows.
Ikat · sarung · cloth · island weaving
Textiles
Textiles from Borneo and eastern Indonesian islands, approached through technique, use, and transmission.
Carrying · adornment · personal objects
Personal & Island Objects
Personal, carried, and island-linked objects where material presence meets lived relation.
Gongs · sound · ceremony
Gongs & Sound Objects
Gongs and sound objects considered through material, resonance, and ceremonial context.
Archive · placed works · collector history
Placed Works Archive
Objects once cared for, studied, or placed by Junita Arneld, now held in other collections.
Placed Works Archive
Objects that moved onward.
The Placed Works Archive refers to works that were once handled, documented, cared for, or placed through The JAM ART and Junita Arneld’s collecting practice. They are kept visible as part of the platform’s memory, even when they are no longer available.
Responsible access
For study, collecting, or careful inquiry.
Availability and documentation differ from object to object. Please inquire with the object name or inventory reference when possible.